“I am literarily disturbed. I write of very dark things. Things a normal person never even thinks about.”
The first thing he learned as a child was that his mother wanted him dead.
Marcás Pádraig O’Dea* was born to blue-collar parents in 1961, the second son of Patricia Ann and John Matthew O’Dea, in a rural Michigan town. After his parents divorced when Marcás was 7, he and his siblings were raised by their mother who, it would later be learned, suffered from mental illness.
He lived through the eras of the Vietnam war, Civil Rights protests and riots, the Kennedy assassinations, the murder of Martin Luther King, Jr., the Cuban missile crisis, and, finally, the first man on the moon. It was an era of both tragedy and invention.
He is of Irish/American ancestry, whose extended family are scattered throughout the U.S. and Ireland. His family has a castle at Dysert O’Dea (Irish: Dísert, meaning “hermitage”), the former O’Dea clan stronghold, 5 kilometres (3 mi) from Corofin, County Clare just off the R476 road. It was built between 1470 and 1490 by Diarmaid O’Dea, Lord of Cineal Fearmaic, and stands some 50 feet (15 m) high on a limestone outcrop base measuring 20 by 40 feet (6 by 12 m). The tower is adjacent to Dysert O’Dea Monastery. There is a also O’Dea High School, a Catholic all boys high school founded in 1923 and located in Seattle‘s First Hill neighborhood. The school is named after Edward John O’Dea who was bishop of Seattle when the school was built. O’Dea is a part of the Archdiocese of Seattle.
When Marcás was 11 and in sixth grade, he wrote a short story in which his teacher saw something promising and secretly submitted to the University of Michigan’s Young Writers program as part of a competition. No one was more surprised than he when it took First Place and earned him a week’s scholarship in their much sought-after writing program. He realized then that he would become a writer when he “grew up.”
And so it went.
In 1976, the family — which now included an educationally-challenged and abusive stepfather — took a vacation and traveled to Colorado. Marcás immediately fell in love with the mountains and returned there to live after he graduated high school. It was there he spent much of his young adulthood.
Though he would finally be shut of the horrors of his childhood, it would be years before he worked through that trauma. It manifested in clinical depression and, eventually, a diagnosis of cPTSD. His journey to mental health has taken decades, but it continues to inform his writing.
“It’s where the darkness comes from. No one can endure a life of that without it affecting him in fundamentally damaging ways. Thank god for writing. It is the best therapy I’ve ever found.”
He began his career writing historical fantasy and mainstream fiction, which is where he began garnering awards for his writing across the U.S. He began to realize, however, that his passion lay in horror and dark fiction. He’d long been a fan of Stephen King, Peter Straub, Shirley Jackson, John Saul, Dan Simmons, and Dean Koontz. So he switched gears and started writing stories that he enjoyed, and never looked back. In order to honor the various genres in which he enjoys writing, he took on several nom de plumes that allowed him to explore the different writing landscapes and still be true to his forever love: horror. His is the author of two graphic novels, one created for the Colorado Geological Survey, and one that is currently seeking publication.
He is currently at work launching a horror and dark fiction literary magazine, which is scheduled to publish its first issue in 2022.
He facilitates writing workshops throughout the US and Canada.
He has lived short-term in a number of major U.S. cities, but has returned at last to Michigan, settling in the Upper Peninsula.
He worked his way through college, earning a Bachelor’s degree in Marketing and Communications from the University of Colorado, and a Masters of Fine Art in Creative Writing from UCLA. He currently teaches writing, philosophy, and metaphysics at the high school and college undergrad levels. He earned certification for paralegals from the National Association of Legal Assistants (NALA), is an active member of the Freelancer’s Association, and is a Certified Professional Resume Writer (CPRW). He is a member of the Nonfiction Authors Association, and is considering membership in the Horror Writers of America organization. He is also a Microsoft Certified Professional.
Like many writers’ resumes, Marcás has had a long and varied career beyond writing. Some of the careers he pursued span the gamut from waiter, 9-1-1 call center operator, paralegal, exotic dancer, professional fitness consultant, manny (male nanny), marketing & design professional, grant writer, content creator, radio deejay, social media manager, educator, logistics specialist, nightclub and rave DJ, board coordinator, nonprofit consultant, among others. He currently functions as a professional story consultant in both screenplays and novel-length fiction.
Marcás has been fascinated by birds since early childhood, and they are a theme that carries through most of his writing, either as actual characters in the story, like Fiechin the Spirit Crow (pronounced Fay-chin) in What Waits for Us in Darkness, to the plantation slave educating himself in ornithology in Throwing Rocks at God. He believes that they symbolize ultimate freedom, which is what his characters so desperately seek. He wrote research papers throughout his educational career on various bird species, from the mechanics of flight to the mythology of birds in modern and ancient cultures.
Marcás maintains a keen interest in music, and creates remixes and curates playlists on several music sites (below). He opened for Sasha & John Digweed in an arena holding more than 80,000 revelers, has managed and owned his own clubs, and was on the ground floor of the rave revolution when it stormed the U.S.
The OM Project: ambient, psychedelic, trip-hop, chillout, and experimental
Thee Retro Collective: retro remixes from the 80s, 90s, and 00s in-the-mix
Glitter & Funk: Nu-disco, funky house, dance, edm, and club music
Electric Messiah: techno, deep techno, melodic techno, and progressive house
Lo-fi Lover: Lo-fidelity, trip-hop, and downtempo grooves
*Note: ” Pádraig” is the Gaelic form of “Patrick,” and is pronounced accordingly. The last name is pronounced “Oh-DAY.” The “ea” is a digraph representing an “ay” sound in English.